Document Type

Article

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Published in Material Culture Review by Cape Breton University Press, Spring 2010.

Publication Source

Material Culture Review

Abstract

How can material culture studies offer new perspectives on the study of late-19th-century art in France? How can the work of contemporary artists animate a collection of historical and locally specific objects? This paper takes up these questions by a close reading of an installation in St.-Brieuc, along with the collections of two ecomuseums in Brittany and several other historical sites in terms of a politics of display and commemoration. It further engages the collections in a dialogue about historical sites, photographs and paintings of religious ritual in late-19th-century Brittany that focus upon everyday rituals of memory and mourning.

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