
Volume 20 (2019)
Editors' Notes
In Following the Equator, Mark Twain wrote, “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.” I remembered this quote when the semester provided me so many opportunities to read about life’s daily dramas. Usually, I consider myself a man of science fiction—you can find me writing about futuristic worlds full of robotic AI. I like to explore the endless possibilities of technology and how to write a meaningful story made out of seemingly-impossible parts. There’s a certain joy in trying to make the implausible plausible. Yet Mr. Twain is right: it is hard to imagine web-slinging through Manhattan, finding out who shoots first at the Mos Eisley cantina, or trying to survive in the Hunger Games as a normal human being. What makes the stories we chose for this year’s Bryant Literary Review so compelling is their connection to the woes of everyday reality. We may be safe from the supervillains of a fictional universe, but we aren’t immune to the dangers of ‘normal’ life.
This is the BLR’s twentieth edition, the twentieth time we have curated a diverse collection of voices from America and abroad. A special thanks to each and every one of you who reminds Bryant of its literary roots by reading this magazine. Your loyalty inspires us, and we are hopeful for the next twenty years.
Thank you to my fellow student editors, Professors Matthew Neill Null and Sarah Kruse, and members of Bryant University staff for helping make this issue possible.
Matthew Yuen
Student Fiction Editor
I am grateful for the opportunity to serve as Student Poetry Editor for the Bryant Literary Review, and I enjoyed reading the variety of poems. Although I am a Business major, after being selected for the position, it truly opened my eyes to the world of Liberal Arts. Whether I was reading a haiku, a free verse, or a narrative poem, the experience was one of a kind. All of the submissions were unique in their own way. The selections featured here vary in scope from observations of the mundane, to memories of the past, to family dynamics, to questions of politics and the social in the current moment. The voices range from some well-established authors to others who are budding new writers. In honor of the recent retirement of Tom Chandler, founding editor of the Bryant Literary Review and former Rhode Island Poet Laureate, we are delighted to include a new poem from current Rhode Island Poet Laureate, Tina Cane.
We appreciate your time and hope you enjoy reading the selected poems as much as we did!
Shannon Flaherty
Student Poetry Editor
Title Page
Table of Contents
Editors' Note
Contributors
Fiction
The Good Son
William Torphy
Saying Goodbye in Brussels
Lawrence F. Farrar
Little Mercies
Terry Sanville
Young Tragic Heroines
Elaine Little
The Commandment
James Armstrong
Home Visit
Jesse Mardian
Poetry
Monkey Time
Eric Greinke
Vaya Con Dios
Russ Allison Loar
When Fall Arrives
David James
Dog Whistle
Tina Cane
All I Know About Pool
Charles Harper Webb
God and God's
Sandy Weisman
Night Shadows
Jimmie Pennington
Copy Cat Music
John Krumberger
Outsider's Shovel
Mark Taksa
Living Dolls
Andrena Zawinski
The Wandering Buddha
Cate Gable
Only Touch is Impossible, So We Touch
John Sibley Williams
Tiny Bills
Susan Johnson
The Book of Bad Faith
Noel Sloboda
Learning from Her
Emily Madapusi Pera
Object Permanence
Jacob Nelson
Chicago - 1966
Michael Walls
Another Gen-X Icon Dead
Ace Boggess
Constructing Border Quilts
Martha Brenckle
The Lariat
Marc Pietrzkowski
Is It Alice, Amy or Anne?
George Longenecker

Editors
- Editor and Fiction Editor
- Matthew Neill Null
- Poetry Editor
- Sarah Kruse
- Managing Editor
- Ron Pitt
- Associate Editor
- Lucie Koretsky
- Student Poetry Editors
- Shannon Flaherty, Alexandra Miernicki-Dufresne
- Student Fiction Editors
- Lena Erauda, Danielle Veith, Matthew Yuen
Additional Information
- Design and Layout
- Rebecca Chandler, studio@beccachandler.com
- Printing
- Pucino Print Consultants, pucinoprint@verizon.net
- Cover Art
- "I have never been here before," by Martha Kuhlman, 2019