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Manuscripts from 2012

Murderous Friends: Homosocial Excess in Alfred Hitchcock's 'Rope' (1948) and Gus Van Sant's 'Elephant' (2003), Thomas Roach

Manuscripts from 2011

Politics and Popular Song: Youth, Authority, and Popular Music in East Africa, Alex Perullo

Manuscripts from 2010

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Roundtable on Teaching "Work" as an Interdisciplinary First-Year College Seminar, Maura Coughlin, Bill Dalessio, Janet E. Dean, Terri A. Hasseler, Anthony Martinetti, Rex Nielson, Janice Okoomian, and Elizabeth Walden

Review of Mwenda Ntarangwi's "East African Hip Hop: Youth Culture and Globalization", Alex Perullo

Teaching Homo-Economicus, Thomas Roach and Michelle Stewart

Manuscripts from 2009

Sense and Sexuality: Foucault, Wojnarowicz, and Biopower, Thomas Roach

Manuscripts from 2008

Book Review of "Performance and Politics in Tanzania: The Nation on Stage by Laura Edmondson, Alex Perullo

Rumba in the City of Peace: Migration and the Cultural Commodity of Congolese Msuic in Dar es Salaam, Alex Perullo

Manuscripts from 2007

Prague meets Paris: the Reception and Representation of the 'Eiffelka', Martha Kuhlman

Review of: Remaining Relevant after Communism: The Role of the Writer in Eastern Europe , Martha Kuhlman

The Traumatic Temporality of Art Spiegelman's In the Shadow of No Towers, Martha Kuhlman

Morning 'till Night, Cradle to Grave: Laura Boulton, Recorded Sound, and Meaning in Angolan Music, Alex Perullo

Manuscripts from 2006

Robert Alter, Imagined Cities: Urban Experience and the Language of the Novel, Martha Kuhlman

Manuscripts from 2005

Hooligans and Heroes: Youth Identity and Rap Music in Dar es Salaam, Tanzania, Alex Perullo

Impersonal Friends: Foucault, Guibert, and an Ethics of Discomfort, Thomas Roach

'Reflections on the Gay Question:' Review Essay on Didier Eribon's Insult and the Making of the Gay Self, Thomas Roach

'You Want to Torture Zora?' Olivier Assayas's Demonlover as Critique., Elizabeth Walden

Manuscripts from 2004

The Uncanny Clone: X-Files, Cloning, and Popular Culture, Martha Kuhlman

Language, Spectacle and Body in Anthony Drazen's Hurlyburly, Elizabeth Walden

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Media Practice in the Humanities Classroom, Elizabeth Walden

Manuscripts from 2003

The Double Writing of Agota Kristof and the New Europe, Martha Kuhlman

A Review of 'The Evening Crowd at Kirmser's: A Gay Life in the 1940s' by Ricardo J. Brown, Thomas Roach

Manuscripts from 2002

Expectations in the Tanzanian Hip Hop Community, Alex Perullo

Manuscripts from 2001

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Everything's Zen: Review of The Body Artist by Don DeLillo, Martha Kuhlman

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Getting Conspiratorial: Review of: Conspiracy Culture: From Kennedy to the X-files by Peter Knight, Martha Kuhlman

Images of the Crowd in Milan Kundera's Novels: From Communist Prague to Postmodern France, Martha Kuhlman

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Review of the Cultue of Lies and The Museum of Unconditional Surrender by Dubravka Ugresic, Martha Kuhlman

Review of 'Empire' by Michael Hardt and Antonio Negri, Thomas Roach

Manuscripts from 2000

Language Choice and Hip Hop in Tanzania and Malawi, Alex Perullo and John Fenn

Manuscripts from 1999

The Ex(Centric) Mind of Europe: Dubravka Ugrešić, Martha Kuhlman