Manuscripts from 2007
Prague meets Paris: the Reception and Representation of the 'Eiffelka', Martha Kuhlman
Review of: Remaining Relevant after Communism: The Role of the Writer in Eastern Europe , Martha Kuhlman
The Traumatic Temporality of Art Spiegelman's In the Shadow of No Towers, Martha Kuhlman
Manuscripts from 2006
Robert Alter, Imagined Cities: Urban Experience and the Language of the Novel, Martha Kuhlman
Manuscripts from 2005
'You Want to Torture Zora?' Olivier Assayas's Demonlover as Critique., Elizabeth Walden
Manuscripts from 2004
The Uncanny Clone: X-Files, Cloning, and Popular Culture, Martha Kuhlman
Language, Spectacle and Body in Anthony Drazen's Hurlyburly, Elizabeth Walden
Media Practice in the Humanities Classroom, Elizabeth Walden
Manuscripts from 2003
The Double Writing of Agota Kristof and the New Europe, Martha Kuhlman
Manuscripts from 2001
Everything's Zen: Review of The Body Artist by Don DeLillo, Martha Kuhlman
Getting Conspiratorial: Review of: Conspiracy Culture: From Kennedy to the X-files by Peter Knight, Martha Kuhlman
Images of the Crowd in Milan Kundera's Novels: From Communist Prague to Postmodern France, Martha Kuhlman
Review of the Cultue of Lies and The Museum of Unconditional Surrender by Dubravka Ugresic, Martha Kuhlman
Manuscripts from 1999
The Ex(Centric) Mind of Europe: Dubravka Ugrešić, Martha Kuhlman