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Manuscripts from 2016

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Biotopes and Ecotones: Slippery Images on the Edge of the French Atlantic, Maura Coughlin

Manuscripts from 2014

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Skull boxes, Maura Coughlin

Manuscripts from 2013

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Rashomon at Vicksburg, Thom Bassett

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The Death of Willie Sherman, Thom Bassett

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The Final Victory of Lieutenant General John Bell Hood, Confederate States of America (fiction), Thom Bassett

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The Music Teacher’s Raid, Thom Bassett

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The Rebel Puritan, Thom Bassett

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The Reluctant General Grant, Thom Bassett

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Spectacle, Maintenance and Materiality: Women and Death in Modern Brittany, Maura Coughlin

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Shifting the Conversation: Colbert’s Super PAC and the Measurement of Satirical Efficacy, Amber Day

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Haunting the Borderlands: Graphic Novel Representations of the German Expulsion, Martha Kuhlman

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Review of "Comics Versus Art" by Bart Beaty, Martha Kuhlman

Manuscripts from 2012

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Grant on the Edge, Thom Bassett

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Sherman’s Southern Sympathies, Thom Bassett

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The Last House in Randolph, Thom Bassett

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The South, the War and ‘Christian Slavery’, Thom Bassett

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Van Dorn’s Wild Ride, Thom Bassett

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Representing Heritage and Loss on the Brittany Coast: Sites, Things and Absence, Maura Coughlin

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Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody, Amber Day and Ethan Thompson

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Mr. Stewart and Mr. Colbert Go to Washington: Television Satirists Outside the Box., Jeffrey P. Jones, Geoffrey Baym, and Amber Day

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Avant-Garde Comics? The Very Idea, Martha Kuhlman

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The God of Small Things, Martha Kuhlman

Murderous Friends: Homosocial Excess in Alfred Hitchcock's 'Rope' (1948) and Gus Van Sant's 'Elephant' (2003), Thomas Roach

Manuscripts from 2011

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Reading Lessons: Sentimental Literacy and Assimilation in "Stiya: A Carlisle Indian Girl at Home" and "Wynema: A Child of the Forest", Janet Dean

Politics and Popular Song: Youth, Authority, and Popular Music in East Africa, Alex Perullo

Manuscripts from 2010

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Narratives, Images and Objects of Piety and Loss in Brittany, Maura Coughlin

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Roundtable on Teaching "Work" as an Interdisciplinary First-Year College Seminar, Maura Coughlin, Bill Dalessio, Janet E. Dean, Terri A. Hasseler, Anthony Martinetti, Rex Nielson, Janice Okoomian, and Elizabeth Walden

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Review of Mwenda Ntarangwi's "East African Hip Hop: Youth Culture and Globalization", Alex Perullo

Teaching Homo-Economicus, Thomas Roach and Michelle Stewart

Manuscripts from 2009

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Crosses, Cloaks and Globes: Women’s Material Culture of Mourning on the Brittany Coast, Maura Coughlin

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“Inevitable Grottoes”: Modern Paintings and Wasted Space, Maura Coughlin

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Review of "Street Dreams and Hip Hop Barbershops: Global Fantasy in Urban Tanzania" by Brad Weiss, Alex Perullo

Sense and Sexuality: Foucault, Wojnarowicz, and Biopower, Thomas Roach

Manuscripts from 2008

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Are They For Real? Activism and Ironic Identities, Amber Day

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The Violence of Collection: Indian Killer‘s Archives, Janet Dean

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The Silence of the Page: Une Trop Bruyante Solitude, The Graphic Novel Adaptation of "Too Loud a Solitude" by Bohumil Hrabal, Martha Kuhlman

Book Review of "Performance and Politics in Tanzania: The Nation on Stage by Laura Edmondson, Alex Perullo

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Rumba in the City of Peace: Migration and the Cultural Commodity of Congolese Msuic in Dar es Salaam, Alex Perullo

Manuscripts from 2007

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Prague meets Paris: the Reception and Representation of the "Eiffelka", Martha Kuhlman

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Review of: Remaining Relevant after Communism: The Role of the Writer in Eastern Europe, Martha Kuhlman

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The Traumatic Temporality of Art Spiegelman's "In the Shadow of No Towers", Martha Kuhlman

Morning 'till Night, Cradle to Grave: Laura Boulton, Recorded Sound, and Meaning in Angolan Music, Alex Perullo

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Review of "Tanzanie: Musiques Rituelles Gogo (Tanzania: Gogo Ritual Music)" by Polo Vallejo, Alex Perullo

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Review Of "The Rough Guide to the Music of Kenya. Kenya: Roots Benga, Coastal Taarab, Urban Rap" by Douglas Paterson; Werner Graebner, Alex Perullo

Manuscripts from 2006

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Women on the Masthead: Review of "Blue Pencils & Hidden Hands", Janet Dean

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Review of "Imagined Cities: Urban Experience and the Language of the Novel", Martha Kuhlman

Manuscripts from 2005

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The Maria Chronicles, Amber Day

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Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania, Alex Perullo

Impersonal Friends: Foucault, Guibert, and an Ethics of Discomfort, Thomas Roach

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'Reflections on the Gay Question:' Review Essay on Didier Eribon's Insult and the Making of the Gay Self, Thomas Roach

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'You Want to Torture Zora?' Olivier Assayas's Demonlover as Critique., Elizabeth Walden

Manuscripts from 2004

The Uncanny Clone: X-Files, Cloning, and Popular Culture, Martha Kuhlman

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Review of "Recollecting from the Past: Musical Practice and Spirit Possession on the East Coast of Madagascar" by Ron Emoff, Alex Perullo

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Language, Spectacle and Body in Anthony Drazen's Hurlyburly, Elizabeth Walden

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Media Practice in the Humanities Classroom, Elizabeth Walden

Manuscripts from 2003

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“Millet’s Milkmaids”, Maura Coughlin

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The Double Writing of Agota Kristof and the New Europe, Martha Kuhlman

A Review of 'The Evening Crowd at Kirmser's: A Gay Life in the 1940s' by Ricardo J. Brown, Thomas Roach

Manuscripts from 2002

Expectations in the Tanzanian Hip Hop Community, Alex Perullo

Manuscripts from 2001

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Everything's Zen: Review of The Body Artist by Don DeLillo, Martha Kuhlman

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Getting Conspiratorial: Review of: Conspiracy Culture: From Kennedy to the X-files by Peter Knight, Martha Kuhlman

Images of the Crowd in Milan Kundera's Novels: From Communist Prague to Postmodern France, Martha Kuhlman

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Review of the Culture of Lies and The Museum of Unconditional Surrender by Dubravka Ugresic, Martha Kuhlman

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Review of 'Empire' by Michael Hardt and Antonio Negri, Thomas Roach

Manuscripts from 2000

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Language Choice and Hip Hop in Tanzania and Malawi, Alex Perullo

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Language Ideologies, Choices, and Practices in Eastern African Hip Hop, Alex Perullo and John Fenn

Manuscripts from 1999

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The Ex(Centric) Mind of Europe: Dubravka Ugrešić, Martha Kuhlman

Manuscripts from 1987

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Local Police Force Size and the Severity of the 1960s Black Rioting, Gregg Lee Carter