Scholarly journal publications written or edited by English and Cultural Studies faculty prior to the creation of the History, Literature, and the Arts Department in Fall 2023. For publications after that date, click on the following link: History, Literature, and the Arts Faculty Journal Articles.
Manuscripts from 2022
Carlos Bulosan and Filipino Collective Memory: Teaching, Transgression, and Transformation, Jeffrey Cabusao
Music in East Africa, Alex Perullo
Manuscripts from 2021
‘Terres vaines et vagues’: Ecocriticism and Breton Wastelands in Visual and Literary Representation, Maura Coughlin
Manuscripts from 2020
A Poem That Would Not Let Me Go, drea brown
Book Review: Bodies in Flux: Scientific Methods for Negotiating Medical Uncertainty, Ella Browning
Asking for It: Rape Myths, Satire, and Feminist Lacunae, Viveca S. Greene and Amber Day
“A Diary Of Time Itself”: An Academic Roundtable on Chris Ware’s Rusty Brown, Martha Kuhlman
Manuscripts from 2019
Teaching Roots, Gifting Wings: Vision and Practice in Asian American Matters, Jeffrey Arellano Cabusao
Gleaning the Tideline: Elodie La Villette’s Ecocritical Painting, Maura Coughlin
The Avant-Garde Aesthetic of Vojtěch Mašek, Martha Kuhlman
The Wait, Melissa M. Slocum
Manuscripts from 2018
Reading Carlos Bulosan/Documenting the Filipino Diaspora: An editorial introduction to Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan, Jeffrey Arellano Cabusao
Throwing our Voices: Ventriloquism as New Media Activism, Amber Day
Manuscripts from 2016
Biotopes and Ecotones: Slippery Images on the Edge of the French Atlantic, Maura Coughlin
Manuscripts from 2014
Skull boxes, Maura Coughlin
Manuscripts from 2013
Rashomon at Vicksburg, Thom Bassett
The Death of Willie Sherman, Thom Bassett
The Final Victory of Lieutenant General John Bell Hood, Confederate States of America (fiction), Thom Bassett
The Music Teacher’s Raid, Thom Bassett
The Rebel Puritan, Thom Bassett
The Reluctant General Grant, Thom Bassett
Spectacle, Maintenance and Materiality: Women and Death in Modern Brittany, Maura Coughlin
Shifting the Conversation: Colbert's Super PAC and the measurement of satirical efficacy, Amber Day
Haunting the Borderlands: Graphic Novel Representations of the German Expulsion, Martha Kuhlman
Review of "Comics Versus Art" by Bart Beaty, Martha Kuhlman
Manuscripts from 2012
Grant on the Edge, Thom Bassett
Sherman’s Southern Sympathies, Thom Bassett
The Last House in Randolph, Thom Bassett
The South, the War and ‘Christian Slavery’, Thom Bassett
Van Dorn’s Wild Ride, Thom Bassett
Representing Heritage and Loss on the Brittany Coast: Sites, Things and Absence, Maura Coughlin
Satire and Dissent: A Theoretical Overview, Amber Day
Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody, Amber Day and Ethan Thompson
Avant-Garde Comics? The Very Idea, Martha Kuhlman
The God of Small Things, Martha Kuhlman
Murderous Friends: Homosocial Excess in Alfred Hitchcock's 'Rope' (1948) and Gus Van Sant's 'Elephant' (2003), Thomas Roach
Manuscripts from 2011
Politics and Popular Song: Youth, Authority, and Popular Music in East Africa, Alex Perullo
Manuscripts from 2010
Narratives, Images and Objects of Piety and Loss in Brittany, Maura Coughlin
Roundtable on Teaching "Work" as an Interdisciplinary First-Year College Seminar, Maura Coughlin, Bill Dalessio, Janet E. Dean, Terri A. Hasseler, Anthony Martinetti, Rex Nielson, Janice Okoomian, and Elizabeth Walden
Review of Mwenda Ntarangwi's "East African Hip Hop: Youth Culture and Globalization", Alex Perullo
Teaching Homo-Economicus, Thomas Roach and Michelle Stewart
Manuscripts from 2009
Crosses, Cloaks and Globes: Women’s Material Culture of Mourning on the Brittany Coast, Maura Coughlin
“Inevitable Grottoes”: Modern Paintings and Wasted Space, Maura Coughlin
Review of "Street Dreams and Hip Hop Barbershops: Global Fantasy in Urban Tanzania" by Brad Weiss, Alex Perullo
Sense and Sexuality: Foucault, Wojnarowicz, and Biopower, Thomas Roach
Manuscripts from 2008
Are They for Real? Activism and Ironic Identities, Amber Day
The Violence of Collection: Indian Killer‘s Archives, Janet Dean
The Silence of the Page: Une Trop Bruyante Solitude, The Graphic Novel Adaptation of "Too Loud a Solitude" by Bohumil Hrabal, Martha Kuhlman
Book Review of "Performance and Politics in Tanzania: The Nation on Stage by Laura Edmondson, Alex Perullo
Rumba in the City of Peace: Migration and the Cultural Commodity of Congolese Msuic in Dar es Salaam, Alex Perullo
Manuscripts from 2007
Prague meets Paris: the Reception and Representation of the "Eiffelka", Martha Kuhlman
Review of: Remaining Relevant after Communism: The Role of the Writer in Eastern Europe, Martha Kuhlman
The Traumatic Temporality of Art Spiegelman's "In the Shadow of No Towers", Martha Kuhlman
Morning 'till Night, Cradle to Grave: Laura Boulton, Recorded Sound, and Meaning in Angolan Music, Alex Perullo
Review of "Tanzanie: Musiques Rituelles Gogo (Tanzania: Gogo Ritual Music)" by Polo Vallejo, Alex Perullo
Manuscripts from 2006
Women on the Masthead: Review of "Blue Pencils & Hidden Hands", Janet Dean
Review of "Imagined Cities: Urban Experience and the Language of the Novel", Martha Kuhlman
Manuscripts from 2005
The Maria Chronicles, Amber Day
Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania, Alex Perullo
Impersonal Friends: Foucault, Guibert, and an Ethics of Discomfort, Thomas Roach
'Reflections on the Gay Question:' Review Essay on Didier Eribon's Insult and the Making of the Gay Self, Thomas Roach
'You Want to Torture Zora?' Olivier Assayas's Demonlover as Critique., Elizabeth Walden
Manuscripts from 2004
The Uncanny Clone: X-Files, Cloning, and Popular Culture, Martha Kuhlman
Review of "Recollecting from the Past: Musical Practice and Spirit Possession on the East Coast of Madagascar" by Ron Emoff, Alex Perullo
Language, Spectacle and Body in Anthony Drazen's Hurlyburly, Elizabeth Walden
Media Practice in the Humanities Classroom, Elizabeth Walden
Manuscripts from 2003
“Millet’s Milkmaids”, Maura Coughlin
The Double Writing of Agota Kristof and the New Europe, Martha Kuhlman
A Review of 'The Evening Crowd at Kirmser's: A Gay Life in the 1940s' by Ricardo J. Brown, Thomas Roach
Manuscripts from 2002
Mr. Stewart and Mr. Colbert Go to Washington: Television Satirists Outside the Box, Amber Day, Jeffrey P. Jones, and Geoffrey Baym
Expectations in the Tanzanian Hip Hop Community, Alex Perullo
Manuscripts from 2001
Everything's Zen: Review of The Body Artist by Don DeLillo, Martha Kuhlman
Getting Conspiratorial: Review of: Conspiracy Culture: From Kennedy to the X-files by Peter Knight, Martha Kuhlman
Images of the Crowd in Milan Kundera's Novels: From Communist Prague to Postmodern France, Martha Kuhlman
Review of the Culture of Lies and The Museum of Unconditional Surrender by Dubravka Ugresic, Martha Kuhlman
Review of 'Empire' by Michael Hardt and Antonio Negri, Thomas Roach
Manuscripts from 2000
Language Choice and Hip Hop in Tanzania and Malawi, Alex Perullo
Language Ideologies, Choices, and Practices in Eastern African Hip Hop, Alex Perullo and John Fenn
Manuscripts from 1999
The Ex(Centric) Mind of Europe: Dubravka Ugrešić, Martha Kuhlman
Manuscripts from 1987
Local Police Force Size and the Severity of the 1960s Black Rioting, Gregg Lee Carter
